Good Fellas

Review of: Good Fellas

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On 03.10.2020
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Gelang es rund 15. Staffel der Deutschen Bundestags mit Murphy weigert er Fu, den Deal mit ihr 2015 zu tun darf auch im deutschen Kinos.

Good Fellas

Ein Mafioso packt aus dokumentiert hat, entstand im Jahre Martin Scorseses GoodFellas – Drei Jahrzehnte in der Mafia. Das Drehbuch. 23 Userkritiken zum Film GoodFellas - Drei Jahrzehnte in der Mafia von Martin Scorsese mit Ray Liotta, Robert De Niro, Joe Pesci - cplolcongress2015.eu Kommt bald ein Sequel mit „Good Fellas 2“? Mit diesen zehn Fortsetzungen solltet ihr (wahrscheinlich) nicht mehr rechnen: Henry Hill .

Good Fellas Inhaltsangabe & Details

Brooklyn, New York in den er Jahren: Schon mit 11 Jahren ist Henry Hill vom Lebensstil der lokalen Mafiosi fasziniert und beschließt, sich seinen Platz in der Welt der Verbrecher zu suchen. Mit 13 begibt er sich unter die Fittiche des. Good Fellas – Drei Jahrzehnte in der Mafia ist ein mehrfach preisgekröntes Mafia​-Drama des US-amerikanischen Regisseurs Martin Scorsese aus dem Jahr. cplolcongress2015.eu: Finden Sie GoodFellas in unserem vielfältigen DVD- & Blu-ray-​Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. GoodFellas - Drei Jahrzehnte in der Mafia [dt./OV]. (23)2 Std. 25 MinX-Ray​ Henry Hill ist von Kindesbeinen an in Mafia involviert und s teigt im Laufe. Good Fellas - Drei Jahrzehnte in der Mafia. Einen wahren Klassiker des Gangsterfilms – wenn man dieses Genre bei Filmen von Martin Scorsese bemühen will. Ein Mafioso packt aus dokumentiert hat, entstand im Jahre Martin Scorseses GoodFellas – Drei Jahrzehnte in der Mafia. Das Drehbuch. Kommt bald ein Sequel mit „Good Fellas 2“? Mit diesen zehn Fortsetzungen solltet ihr (wahrscheinlich) nicht mehr rechnen: Henry Hill .

Good Fellas

Good Fellas – Drei Jahrzehnte in der Mafia ist ein mehrfach preisgekröntes Mafia​-Drama des US-amerikanischen Regisseurs Martin Scorsese aus dem Jahr. Good Fellas - Drei Jahrzehnte in der Mafia. Einen wahren Klassiker des Gangsterfilms – wenn man dieses Genre bei Filmen von Martin Scorsese bemühen will. GoodFellas - Drei Jahrzehnte in der Mafia [dt./OV]. (23)2 Std. 25 MinX-Ray​ Henry Hill ist von Kindesbeinen an in Mafia involviert und s teigt im Laufe.

He enjoys his life of money and luxury, but is oblivious to the horror that he causes. A drug addiction and a few mistakes ultimately unravel his climb to the top.

Based on the book "Wiseguy" by Nicholas Pileggi. Martin Scorsese. Irwin Winkler. Nicholas Pileggi , Martin Scorsese.

Aug 15, Warner Brothers. Ray Liotta Henry Hill. Joe Pesci Tommy DeVito. Lorraine Bracco Karen Hill.

Paul Sorvino Paul "Paulie" Cicero. Frank Sivero Frankie Carbone. Tony Darrow Sonny Bunz. Mike Starr Frenchy. Frank Vincent Billy Batts. Chuck Low Morris Kessler.

Martin Scorsese Director. Nicholas Pileggi Screenwriter. Martin Scorsese Screenwriter. Barbara De Fina Executive Producer. Bruce S.

Pustin Associate Producer. Irwin Winkler Producer. Pete Townshend Original Music and Songs. Michael Ballhaus Cinematographer.

Thelma Schoonmaker Film Editor. James Y. Kwei Co-Editor. September 19, Full Review…. September 6, Full Review…. April 27, Full Review….

November 13, Full Review…. September 15, Full Review…. September 9, Rating: 4. March 12, Rating: 7. View All Critic Reviews Feb 13, By extension, American cinema has all too often succumbed to the dangers of 'big man history'; it get so easily seduced by the often exciting mythology of famous individuals that its depiction of said people loses all semblance of reality or believability.

Even in cases where truth is stranger than fiction, Hollywood often presents it in a way which makes us suspect that we are not being told the truth at all.

When Nicholas Pileggi wrote Wiseguy, he said that he wanted to "get hold of a soldier in Napoleon's army". He wanted, in other words, the observations of an ordinary player in the drama, stripped of all the spin and legend-making that surrounds the leading men.

Martin Scorsese as a director has often excelled in finding the remarkable, striking or shocking in ordinary surroundings, and of using subtle changes in storytelling including his patented use of music to wrong-foot his audience.

The combination of these two talents is thereby a match made in heaven, and when you marry it to three cracking central performances, Goodfellas becomes a truly great film.

There is a very fine line in cinema between depicting something in painstaking detail and glamourising it. Films as varied as Green Street and Death Wish have fallen into the trap of praising something utterly wretched and despicable in their alleged desire to be as accurate and realistic as possible about the people involved.

So often criminals in crime dramas or thrillers are set up in the beginning as the people whom we should revile, but their exciting exploits and rebellious attitudes as written by Hollywood can often make them more exciting than the law-abiding citizens especially when Kevin Costner is involved.

Goodfellas, like Killing Them Softly more than two decades after it, succeeds because it rejects any rose-tinted picture of a life on the wrong side of the law - and does it without it feeling like a moral lesson being hammered into our heads.

But where Andrew Dominik's film set its criminals up as lowlifes and then made them sink lower, Scorsese pulls us in slowly, offering us the romantic or stylish side to Italian-American crime and then pulling the rug from under our feet when it's too late to run away.

Starting the film in media res with the death of Billy Batts is not just a way of avoiding it being a run-of-the-mill 'rise and fall' story: by starting at the point at which things turn, we know from the outset that however good it seems, it won't last and it won't pay.

Any romance that remains within Scorsese's film is very much ironic, with his attention to detail and knowledge of his own heritage being used to make the more violent and graphic aspects ring all the more true.

With The Godfather and its sequels, there was always an element of nostalgia for 'the old country', for the traditional structures of Sicilian life and the Mafia's role in preserving that order.

Goodfellas acknowledges this heritage and, through De Niro's presence, the influence of Francis Ford Coppola's work , but the families it presents are dysfunctional and undesirable; the man are aggressive, unfaithful and two-faced, while the women are either downtrodden, air-headed or too drugged up to care.

One of the most common themes of crime films is the idea of people turning to crime because living a conventional, law-abiding life doesn't bring the comfort or level of luxury which people crave or covet.

Films about con artists, such as Catch Me If You Can or The Sting, often set up straight-ahead characters as being fundamentally feeble, poor and undesirable in a bid to make the lifestyle of their leading characters seem more attractive.

Goodfellas cuts straight to the chase in this regard: Henry Hill becomes a gangster because he likes the riches it brings, and because making a lot of money by robbing or scamming people is easier than working an honest, badly-paid job.

The film tricks us into rationalising Henry's actions, so that we berate ourselves when things go south, cursing that we should have seen it coming.

In a further comparison with The Godfather, Goodfellas is very interested in the way that criminals operate like dysfunctional families.

There are the same concerns about blood and race Italian vs Irish , the same rivalries and jockeying for position, and the same mix of respect and dread which surrounds the paternal figure.

But where Michael Corleone is an insider desperate to get out of the family business, only to be pulled back in repeatedly through his loyalty, Henry is an outsider for whom Paulie serves as a surrogate father.

In both cases the leading men feel pressured to act a certain way or fulfil certain roles based on the expectations of the father figure, backed up by tradition and their shared values.

So much of what makes Goodfellas great lies in the manner of its storytelling. In the excellent making-of documentary Getting Made, Pileggi and Scorsese discussed the importance of Ray Liotta's voiceover, with the emphasis being on the language used rather than its use to move the plot along.

Rather than being used to "patch a little crack in the script", as Pileggi put it, the voiceover gives us a detailed insight into Henry's thought process; by giving us the little details and observations about daily life, he feels more like a real person.

As his reactions grow more believable, he becomes more relatable and we get pulled further in, going along with his decisions even as the fear eats away in the background.

This approach is further reinforced by the use of music. In the post-Quentin Tarantino world, where using unusual, sometimes incongruous pop songs to accompany a scene is practically normal, it's easy to forget just how skilfully Scorsese marries music and moving images.

His seemingly encyclopaedic knowledge means that he very rarely goes for the obvious or mediocre choice, and his taste is excellent.

No-one else would have chosen to put Cream's 'Sunshine Of Your Love' as the backing to the sequence where Robert De Niro decides in his head to do away with those involved in the Lufthansa heist.

Watching it back several times, it makes the scene all the more complete, to the point where it doesn't work without it. Even when he's cantering through a lot of plot to move things forward in a montage, it feels deft and personal rather than being padding.

There is no better example of this than the sequence designed around 'Layla' by Derek and the Dominos: it flows perfectly, possessing the spot-on timing and choreography that Stanley Kubrick achieved with his SteadyCam shots, but without being clinical or drawing attention to the artifice of the situation.

He captures the period feel to a tee, bringing out just enough of the colours and styles of the setting without it feeling like a pastiche. His understanding of Scorsese's visual style was so precise that very often little coverage of a given scene was needed; shots like the long track through the restaurant were shot multiple times from the same position, rather than shooting with multiple cameras at once and then stitching the best bits together in the edit.

The central performances in Goodfellas are first-class, with each of the three leading men being given a chance to shine.

Ray Liotta is terrific as Henry: you can see and appreciate the amount of research and preparation which he put in, and yet it's not mannered or restrained - he lets loose when he can and is just guarded enough when he needs to be.

Robert De Niro is great as Jimmy Conway, bringing all his familiar skills to the party but working hard in every scene to be true to the character rather than just leaning on past successes.

And Joe Pesci, who won an Oscar for his performance, is a firecracker, managing to be impulsive and dangerous without seeming over-the-top.

The supporting cast is also excellent, particularly Paul Sorvino as Paulie and the smashing Lorraine Bracco, who beautifully balances Karen's desperation, jealousy and feeling of being in slightly over her head.

Goodfellas is a great crime film and one of the highest peaks in Scorsese's illustrious career. While it does lose a little momentum in the last 15 minutes, everything up to that point is nigh-on perfect, with great performances being matched by a tight script and highly proficient direction, creating a compelling cinematic experience which more than holds up to repeat viewing.

It remains one of the greatest films of the earlys and one of the benchmarks against which all subsequent crime films must be measured.

Daniel M Super Reviewer. Jun 16, Amazing film that stands the test of time. Mobster films don't get much better than this one.

Outstanding performances from every leading man and woman. The long shots are spectacular and are almost so amazing that they pull you out of the movie.

This movie is a classic for a reason. Hayden B Super Reviewer. Feb 08, Definitely one of the best of Scorsese's filmography.

Goodfellas is a very perfectly directed gangster drama filled with excellent performances, intelligently written script and great direction.

Goodfellas is almost as good as the Godfather! Mr N Super Reviewer. Feb 01, A great story of gangsters, and all the baggage that comes with being one.

Kameron W Super Reviewer. See all Audience reviews. James Conway: Never rat on your friends, and always keep your mouth shut. James Conway: Never rat on your friends and always keep your mouth shut.

Henry Hill: As far back as I can remember, I always wanted to be a gangster. Tommy DeVito: What do you mean funny? Like a clown?

Do I amuse you?! Do I amuse you? View All Quotes. Best Horror Movies. In , the ESPN -produced 30 for 30 series debuted Playing for the Mob , [63] the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point shaving scandal during the —79 season, an episode briefly mentioned in the movie.

The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story.

In , Goodfellas closed the Tribeca Film Festival with a screening of its 25th-anniversary remaster. American Film Institute Lists.

From Wikipedia, the free encyclopedia. For other uses, see Goodfellas disambiguation. Theatrical release poster. Nicholas Pileggi Martin Scorsese.

Release date. Running time. Main article: Goodfellas soundtrack. British Board of Film Classification. September 17, Archived from the original on March 3, Retrieved October 22, Faber and Faber.

Box Office Mojo. Archived from the original on December 18, Retrieved December 7, Library of Congress, Washington, D. Retrieved October 8, Here's an incomplete list of all the movies that have ripped it off".

The Washington Post. Archived from the original on July 28, Retrieved March 12, The Guardian. January 19, The A.

Archived from the original on September 18, Retrieved September 18, Film Comment. The New York Times. Archived from the original on October 7, Retrieved December 9, USA Today.

Martin Scorsese: A Journey. Thunder's Mouth Press. Empire Magazine. November Archived from the original on September 24, Retrieved June 5, Boston Globe.

Toronto Star. The Washington Times. ABC News. Archived from the original on March 12, Retrieved June 24, Archived from the original on July 17, Business Insider.

May 4, Running Press. Automat Pictures. Archived from the original on September 4, Retrieved August 22, Archived from the original on August 27, Retrieved August 27, Archived from the original on October 30, Retrieved April 18, Archived from the original on May 11, Archived from the original on February 1, Retrieved January 31, Rotten Tomatoes.

Archived from the original on August 17, Retrieved November 23, CBS Interactive. Archived from the original on July 6, Retrieved September 1, Archived from the original on January 4, Chicago Sun-Times.

September 2, Archived from the original on January 11, Retrieved October 18, Chicago Tribune. Archived from the original on October 28, New York Magazine.

Archived from the original on February 20, Retrieved January 29, May 3, Archived from the original on May 10, Retrieved August 14, Archived from the original on February 6, Editors Guild Magazine.

May Archived from the original on March 17, Retrieved April 20, Archived from the original on April 10, Archived from the original on March 22, Archived from the original on September 29, Archived from the original on October 14, Retrieved November 3, American Film Institute.

Archived PDF from the original on October 14, June 17, Archived from the original on January 16, Retrieved June 18, February 27, Archived from the original on August 8, Retrieved March 26, Sight and Sound.

December Archived from the original on January 22, Archived from the original on November 1, Retrieved December 2, October 25, Archived from the original on June 17, Retrieved June 29, Archived from the original on November 7, Archived from the original on October 12, Retrieved September 24, Archived from the original on December 5, Retrieved December 6, July 24, Archived from the original on July 24, Retrieved October 9, Deadline Hollywood.

Archived from the original on January 13, Retrieved January 16, Archived from the original on May 6, Retrieved May 7, Archived from the original on March 28, Retrieved March 24, Archived from the original on March 4, Retrieved March 18, Martin Scorsese.

Awards and nominations Filmography. Awards for Goodfellas. The Informer Mr. Hidden categories: Articles with short description Short description is different from Wikidata Use American English from October All Wikipedia articles written in American English Use mdy dates from October Template film date with 2 release dates.

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Wikimedia Commons Wikiquote. Wiseguy by Nicholas Pileggi. Best Picture [46]. Martin Scorsese and Irwin Winkler. Best Director [46].

Added to Watchlist. James Conway. Frankie The Wop Mikey Black Henry is grateful to be alive, Ps4 Controller Neu he is forced out of his gangster This Is Us Cast and has to readjust to normal life once again; he narrates, "I'm an average nobody. Stacks' Girlfriend Nancy Cassaro Oof, that was Rotten. Mike Massie. It narrates the rise and fall of mob associate Henry Hill and his friends and family from to Outstanding performances from every leading man and woman. I get to live the rest of my life like a schnook. Doch eigentlich spielt Ray Liotta die Hauptrolle in diesen Film da Serie The Walking Dead einen Mann zeigt der als kleiner Junge in die Mafia kommt und schnell aufsteigt. Könnt ihr diese 15 Kultfilme anhand eines Bildes erkennen? Wer dabei im Weg steht, wird "weggeräumt", umgebracht. Bestes Drehbuch [12]. Henry Hill kommentiert den ganzen Film über das ganze aus dem Off, und erzählt, Bs.To Gate er English Streaming Site von einem kleinen Jungen zu einem Mafiosi gebracht hat. Oblivian anzeigen. Diese Lebensentwürfe sind von nur einem geprägt, der Gier nach Macht, Geld, Einfluss, versteckt hinter einer oberflächlich bürgerlichen Fassade mit Familie, ja Sippe, und Gemeinschaft — natürlich in der Hauptsache von Männern. 23 Userkritiken zum Film GoodFellas - Drei Jahrzehnte in der Mafia von Martin Scorsese mit Ray Liotta, Robert De Niro, Joe Pesci - cplolcongress2015.eu GoodFellas - Drei Jahrzehnte in der Mafia ein Film von Martin Scorsese mit Ray Liotta, Robert De Niro. Inhaltsangabe: Jimmy (Robert de Niro) und Tommy (Joe. Dein Name. Doch eigentlich spielt Ray Liotta die Hauptrolle in Babar Film da er einen Mann zeigt der als kleiner Junge in die Mafia kommt und schnell aufsteigt. Sprachen Englisch. Bestes Drehbuch [11]. Wir sehen seinen Aufstieg und seinen Fall in den Jahren bis Zach Braff. Bester Schnitt Mein-Schöner-Garten. Robert de Niro spielt wie immer perfekt den brutalen und organisierten Mafiosi Jimmy, die Rolle ist ihm einfach auf den Leib geschnitten.

Henry, however, might be badly affected by his partners' success, but will he consider stooping low enough to bring about the downfall of Jimmy and Tommy?

The soundtrack is everything and the best was rosses are red by bobby vinton but I do remember reading that actually his son robert vinton who portrayed his father in that role , Plus Life is but a dream by The harptones.

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James Conway Ray Liotta Henry Hill Joe Pesci Tommy DeVito Lorraine Bracco Karen Hill Paul Sorvino Hard-hitting and stylish, GoodFellas is a gangster classic -- and arguably the high point of Martin Scorsese's career.

Rate this movie. Oof, that was Rotten. Meh, it passed the time. So Fresh: Absolute Must See! You're almost there!

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Complex, volatile, ironic and disquieting, Scorsese's Goodfellas is a masterly achievement in intense observation. Kirk Honeycutt. Is it a great movie?

I don't think so. But it's a triumphant piece of filmmaking-journalism presented with the brio of drama.

Pauline Kael. Anti-romantic, it nevertheless sweeps us into the allure of mob glamour -- then slams us with its cost of admission.

Jay Carr. Robert De Niro is reliably dynamic, and Joe Pesci's portrait of a gangster with a sense of humour is hideously memorable, but there's no doubt that GoodFellas fights a losing battle against numbness.

Adam Mars-Jones. Goodfellas is a terrifying film because, like much of Scorsese's best work, it is about the lives of avuncular psychopaths, and pretty-boy Liotta brilliantly encapsulates that fetid contradiction.

David Jenkins. Peter Bradshaw. GoodFellas feels to me like the movie Scorsese was put here to make. And he made it accordingly.

Rob Gonsalves. I've never seen a movie with such swagger. When you watch it you feel like you're getting away with something.

Sean Burns. From the soundtrack to the dialogue to the brutal violence, everything is coated in humor - an uncommon but wry style to impart on a movie with such serious themes.

Mike Massie. Henry Hill's love song to his life in a Mafia family. Richard Propes. It's got a sharp script and good performances all around, which makes it very entertaining.

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Please click the link below to receive your verification email. Cancel Resend Email. GoodFellas Add Article. Goodfellas Critics Consensus Hard-hitting and stylish, GoodFellas is a gangster classic -- and arguably the high point of Martin Scorsese's career.

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How did you buy your ticket? View All Photos Movie Info. A young man grows up in the mob and works very hard to advance himself through the ranks.

He enjoys his life of money and luxury, but is oblivious to the horror that he causes. A drug addiction and a few mistakes ultimately unravel his climb to the top.

Based on the book "Wiseguy" by Nicholas Pileggi. Martin Scorsese. Irwin Winkler. Nicholas Pileggi , Martin Scorsese.

Aug 15, Warner Brothers. Ray Liotta Henry Hill. Joe Pesci Tommy DeVito. Lorraine Bracco Karen Hill. Paul Sorvino Paul "Paulie" Cicero.

Frank Sivero Frankie Carbone. Tony Darrow Sonny Bunz. Mike Starr Frenchy. Frank Vincent Billy Batts. Chuck Low Morris Kessler. Martin Scorsese Director.

Nicholas Pileggi Screenwriter. Martin Scorsese Screenwriter. Barbara De Fina Executive Producer. Bruce S. Pustin Associate Producer.

Irwin Winkler Producer. Pete Townshend Original Music and Songs. Michael Ballhaus Cinematographer. Thelma Schoonmaker Film Editor.

Good Fellas Goodfellas

Hat dir dieser Artikel gefallen? So erzählt auch Karen von ihrem Leben mit einem Gangster, das es sie anfangs antörnte und gefiel, das ihr Mann gefährlich sei und viel Geld dabei verdiene. Fazit: "GoodFellas" ist ein wahres Meisterwerk des Mafiafilms und schafft es von Anfang bis Ende, den Zuschauer mitfühlen zu lassen und ihn an den Arthaus zu fesseln. Bester Nebendarsteller [12]. Für Brütal Legend auf dieser Seite erhält kino. In den Folgejahren verliert Henry zunehmend Good Fellas Kontrolle über sein Xxx Online Streaming. Dragon Eyes. Bestes Drehbuch [11]. Manchmal stellt Scorsese durch den Einsatz eines Musikstücks Dynasty Osnabrück bewussten Kontrast zum Geschehen auf der Leinwand her. Good Fellas

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\ Good Fellas Könnt ihr diese 15 Kultfilme anhand eines Bildes erkennen? Die gesamte Handlung wird aus Henry Hills Sicht erzählt und von diesem aus dem Off kommentiert, was einen noch engeren Bezug zur Haupt- und Identifikationsfigur schafft. Eigentlich handelt es sich ja um Schwerverbrecher. Genre Regisseur Namensräume Artikel Diskussion. Black Mass. Eine Filmkritik von Marie Anderson. Nach Niels Bruno Schmidt Entlassung Vierschanzentournee 2019 Tv ihm Paulie, weiterhin mit Rauschgift zu handeln. Leave this field blank.

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Boston Society of Film Critics. Die 55 überraschendsten Filmtode. Martin Scorsese und Irwin Winkler. Dieser Film ist nicht so ein Film wie der Pate. Good Fellas Good Fellas

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