Quelle: Twentieth Century Fox of Germany, DIF, © Twentieth Century Fox. Heidi Moneymaker in "Plan B - Scheiß auf Plan A" (). Kommentare zu Heidi Moneymaker. Du. Kommentar speichern. Filter: Alle Freunde Ich. Sortieren: Datum Likes. lädt Es gibt noch keine Kommentare, schreib. Heidi Moneymaker ist bekannt geworden als Schauspieler/in und war zuletzt zu sehen in Filmen wie Wolf Warrior 2 (), John Wick 2 (), Plan B ().
Heidi Moneymaker Darstellerin in Serien
Heidi Louise Moneymaker ist eine Stuntfrau. Heidi Louise Moneymaker (* 9. Februar in Santa Rosa, Kalifornien) ist eine Stuntfrau. Inhaltsverzeichnis. 1 Leben; 2 Filmografie (Auswahl). Tsd. Abonnenten, folgen, Beiträge - Sieh dir Instagram-Fotos und -Videos von Heidi Moneymaker (@heidimoneymaker) an. Heidi Moneymaker. Gefällt Mal. The official fan page of Heidi Moneymaker, stuntwoman and actress known for her work in The Avengers, Fast &. Heidi Moneymaker · 5. Oktober um Always so full of laughs @critter_rides_barrels thank you for being such a bright light in this world. RIP friend. Heidi Moneymaker. geboren am US-amerikanische Stuntfrau. Darstellerin in Serien. Entdecke alle Serien und Filme von Heidi Moneymaker. Von den Anfängen ihrer Karriere bis zu geplanten Projekten.
Heidi Louise Moneymaker (* 9. Februar in Santa Rosa, Kalifornien) ist eine Stuntfrau. Inhaltsverzeichnis. 1 Leben; 2 Filmografie (Auswahl). Heidi Moneymaker. geboren am US-amerikanische Stuntfrau. Darstellerin in Serien. Neugierig, was es Neues auf Netflix gibt? Oder was das Beste ist? Flixable ist eine Suchmaschine für Video-Streaming-Dienste mit einer vollständigen Liste.
Heidi Moneymaker - Kommentare zu Heidi MoneymakerWilliam Shatner. Octavia Spencer.
Heidi Moneymaker The Moneymakers break into the business VideoBootie Kick with Heidi Moneymaker Iben Hjejle. Er hat erfahren Folgen Sie uns auf. Leonor Varela. Richard Berry.
Heidi Moneymaker Heidi and Renae Moneymaker on the challenge of staying stunt-ready during a pandemic VideoBootie Kick with Heidi Moneymaker Teaching people how to fall is always a very interesting experience because they think it's a very basic thing, but —. He does a lot of Marvel stuff with us. I really think N24 Online we should work together on everything that we do. It was a little more hidden. Working out is a happy time for me. Will CGI ever replace practical stunts? I hope that we'll get recognized and I Regina2000 the more people we get involved, the more awareness The Fall Staffel 2 Stream be.
Heidi Moneymaker Contribute to This Page VideoLisa learns how to be an action star with stuntwoman Heidi Moneymaker! Wenn wir wieder einmal einen Sprecher Pimp My Ride Stream, dann kommen wir wieder auf euch zu. Margherita Buy. Andreas Guenther. Naomie Harris. Vielen Dank dafür. Mann und Frau nur Mann nur Frau alle Altersgruppen Jahre Jahre Jahre Jahre Jahre Jahre ab 45 Jahre ab Heidi Moneymaker Jahre alle Sprachen afrikaans albanisch arabisch bosnisch bulgarisch chinesisch dänisch dari deutsch englisch au englisch ca englisch gb englisch irisch englisch südafrika englisch us estnisch The Call Leg Nicht Auf Stream Deutsch flämisch französisch griechisch gujarati indien hebräisch hindi indonesisch italienisch japanisch jiddisch kantonesisch kasachisch katalanisch koreanisch kroatisch kurmandschi lettisch litauisch luxemburgisch niederländisch norwegisch österreichisch pashtu persisch polnisch portugiesisch portugiesisch südam. Der Frieden hält nicht lange.
Heidi Moneymaker - BELIEBTE STARSRachel Griffiths. Chiwetel Ejiofor. Bill Murray. Heidi Moneymaker ist eine amerikanische Schauspielerin, Stunts. Entdecke ihre Biographie, Details ihrer 6 Karriere-Jahre und alle News. Finden Sie perfekte Stock-Fotos zum Thema Heidi Moneymaker sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus 35 erstklassigen Inhalten. Heidi Moneymaker: American body double (), Actor, Body double, From: United States of America | Biography, Facts, Career, Wiki, Life. Wer synchronisierte Heidi Moneymaker die deutschen Synchronstimmen von Heidi Moneymaker - Alle Besetzungen in der Übersicht. Prüfe die Verfügbarkeit von Filmen und Serien bei Netflix, Amazon, maxdome u.v.m.
Heidi Moneymaker NavigationsmenüTeilen Twittern Mailen. Doch als ihnen überraschend ein Casting-Angebot ins Haus flattert, bietet sich die allerletzte Chance, endlich zu zeigen, Red Riding Hood Stream sie wirklich drauf haben. I am Greta. Wolf Warrior 2 Der Frieden hält nicht lange. Richard Berry. Brendan Gleeson. Wenn Sie das richtige nicht finden konnten. Andreas Guenther. Birge Schade.
I was watching the pre-viz with Scarlett and she asks, "Hey, do you think I walk like that? Renae : I just have one more thing to add on.
When you're wearing a superhero costume You are a replica, basically. In a sense like that, where you are the only person on set that's playing that character, it's very important to be able to I'm thinking back to when we were doing the car chase and I'm in the back of the van as Wasp and she's shooting out the back, you have to do it exactly how she would.
I know that for her, she really wanted Wasp to be very elegant and strong, but also really bring the feminine.
I knew how important it was to her and I didn't want her to see dailies and, "What is she doing? Who's an actor that you've worked with or has there been an actor you've worked with who surprised you in terms of either their proficiency with stunt stuff, or how game they are for some of the trickier beats?
Heidi : Most of my actors have been fairly game to do stuff, but my number one would be Halle Berry, because I trained her for John Wick 3 and we trained together for six months.
We were in Morocco during her fight scenes. Her stunt double rehearsed everything, but there were only two parts of that that Halle didn't do.
One was a slide under the table because she could potentially cut her face and we didn't want her to do that, and the other was a dog jumping off her back.
It was just because one of the dogs that was supposed to jump off her back, he wasn't able to make the jump that day and we had to put the very aggressive dog in and it was just a matter of, "Oh, if for some reason that dog got freaked out and bit her, we didn't want that to happen.
She's incredible. Renae : Yeah, I have two. Brie Larson and Margot Robbie. I'll start with Brie. I was really impressed with not only how much she trained once prep started, but she trained with a trainer six months before that, on her own, just trying to get strong for the role and getting strong so that once she got to stunt training, she could adapt.
That was very beneficial to us because we didn't have to start from ground zero with building strength and endurance.
She came in having that. We could always tap on more and more and more. It was just really impressive watching somebody who had never done really much action or really any martial arts or sports or anything like that, just really take on a little bit more.
She'd come in everyday and say, "I'm going to nail this kick today. If she couldn't get it, she was very, very hard on herself.
You see that with other star performers or athletes. It was the first time I really saw somebody'd come in every day. She never canceled rehearsal.
She always, always showed up when she was supposed to do it and really just gave it everything she had.
We did, I think, three months of prep and then three months of shooting, so it was a six-month action film.
She held up through that whole movie and long days. We were able to do so much with her more than I had ever seen up to that point with an actress.
Then moving on to Margot Robbie, she is a specimen. She really is. You can demonstrate something, let her practice it three times and then she got it.
I caught her one time before she came into practice in the car and she was reviewing like reference videos from the training before.
When she came in, she already knew the choreography. It was fresh in her head. It was just very impressive.
She was next-level with all that stuff. On Birds of Prey , she was the star of the film. She was a lead producer. She was a busy girl, right?
Sometimes, she'd come in and say, "I'm sorry, guys. I got 25 minutes," and she set a timer and she'd be like, "But I'm here, so let's go.
Got a meeting. Is there something that characterizes what it was like working stunts within the MCU versus within a Hunger Games movie versus John Wick?
Do they have their own distinct character each time other than, obviously, having different actual actions that you had to do? Heidi : Every film is different, even if it's within the same franchise because you don't always have different producers, especially in the MCU, but you often have different coordinators and different people involved.
Things are always a little bit different. I would say we got into quite a rhythm with the Marvel stuff towards the end of those last few movies, just because it was a lot of the same people.
With the John Wick series, it's a different ballgame because you've got your lead actor, Keanu Reeves, who's training harder than anybody else on the whole film and just giving it his all, not 24 hours a day, but every single moment of every training session.
You're trying to make sure that you're staying up to speed with them. We don't have to do as much training because we already have a lot of skills that he's learning, but at the same time, you've got to put in the same effort and you've got to show up, especially when your lead actor is getting thrown around and everything The John Wick prep and training is really intense.
Totally worth it. Really, really intense. I'd say that's the difference there. Not that the Marvel stuff is not hard and we don't do a ton of rehearsals and everything else, but you don't have your lead actors literally doing all their own stunts a little bit different.
What about for you, Renae? Renae : It was so long ago, I'm trying to think back to it. I would say that The Hunger Games , it wasn't any kind of specialized stunt work.
We did a bunch of wire work, a lot of falling down the hills, lots of tree climbing. You're learning the practical side of it as well as the on-the-screen side of things.
Renae : Yeah, definitely. I think it was three hours in, 45 out, if I remember correctly. Heidi : Oh my god.
My longest day was a little over 24 hours, but it was in China on a film where there were literally no rules. Heidi : Sure enough. I did a fight scene at the end of the hour day.
I don't recommend that. Renae : No, I'd say on X-Men , my average day was around 15 to 18 hours.
Then if I got out at 12 hours, it felt like an early day. What, to your mind, characterizes the difference between a movie with good stunt coordination, good stunts and a great stunt film?
Then, do you have an example for each of you, a movie where you're like, "This movie I worked on nailed how to do stunts? Heidi : You know what?
I think you can have a really amazing stunt coordinator and a really amazing team, and if everything is not cohesive from the top down, you can run into problems.
For me, one of the smoothest run films was a movie called Sucker Punch. Our stunt coordinator, Damon Caro, had a really good relationship with the director, Zack Snyder.
They worked very cohesively. Damon was able to get his six or eight weeks of prep which we needed with the actors, with us.
Zack actually came in and would shoot our pre-viz. It would take us way longer to shoot the pre-viz, but he'd figured out and shoot it exactly the way we're going to shoot on the day.
Storyboards, when we went in, were literally like pictures taken from the pre-viz that he shot, put up on a board and we knew exactly what we're going to shoot and exactly how we're going to shoot it because he already shot it.
For me, yeah, that was one of the best-run movies just because we had this flowing, cohesive thing and it started from prep and it went right into shooting.
I would say if you can get everybody working together like that, then you're golden, but that doesn't always happen.
That's not always the way things work. I've worked with really amazing coordinators and amazing teams.
For example, on I want to say Civil War , we were on stage outside, but we had this massive cement tarmac that they built for us.
We're out there, we're prepped, ready to go and shooting, and then all of a sudden, a lightning storm comes in. It would happen every couple of days and it was shut us down for most of the day and put us behind schedule and then it's raining and we're cold and wet.
Then, fine, we've had enough time in between lightning strikes that we can go back out and shoot. Now, you're wet and cold and you're trying to fight in cement.
Those things can come up and really destroy the flow. Renae, do you have a particular film you worked on where you felt like, "Man, this is really the stunt experience"?
Renae : Absolutely, the reshoots for Birds of Prey were actually similar, I think, to what Heidi was describing. Chad Stahelski directed the reshoots.
Also, you know, he put together the stunt team. It trickled down from him. We always had a very clear idea of what we were going to do and how we were going to do it.
There wasn't a lot of guessing. I'd say, when everything's running smoothly and operating, how it should be, it's just this feeling of, "I just need to do my job.
Everyone's just doing the job that they're there to do and it's all working together. It's that feeling where you just have to worry about what you have to do and not be thinking, "Oh, should I check this?
Should I check up on that because I'm not sure if this will happen or whatever? One of the great things about the fights in Birds of Prey was the long takes and wide shots, because it seems like went through this period in which, with the Bourne films, the really quick cuts became a thing with fights and you lost a lot of what was happening.
How do you guys feel about that as performers? Do you like the longer takes? Do you like it more when it's chopped up? Renae : Well, it's great when they say, "Hey, we're going to just do fight beats and cut it all to pieces," because you're just thinking, "Great.
I want to do fight beats and that's it," but the longer takes are because when you get into the flow of something and you can see the big picture of what's happening, sometimes great things happen.
The problem with long takes is that, if you're doing one big long take, it's really hard to hide bad performances. There's often bad performances — not always — and sometimes you throw a punch and it's just off.
With John Wick , Chad does very long takes and uses his actor. The only reason he can do that is because he's trained his actor so proficiently that he's very good at what he's doing.
You can watch it wide and it does look good, but it doesn't always work. I don't know the reason behind the Bourne stuff, but I know that within what they were doing, you can hide a ton.
You can make it look really exciting without having a lot of amazing performances in them. Heidi : I'll just add in, sometimes, even if your stuff gets all cut up, you're doing longer takes.
It's not just, "Okay, we're going to do this punch and we're going do these three beats. I'd say like very rarely are you just doing a few beats at a time.
We're usually doing a section of the fight. Renae : Also, you have to choreograph. If you're going to do a long take and you're going to make it look good, you can't just choreograph anything and say, "Great, we're going to do one big long take.
You have to know the camera's path. You have to know where you're going and what you're doing and you have to know what's going to look good.
Not everything looks good wide. Some things look good, close up, some things need movement and all that. We talked a bit earlier about falling, but what would you say is another stunt skill that looks deceptively easy on camera but is not?
Heidi : My answer to that would be with regards to driving. A lot of the bigger sliding around corners, reverse , all the tricks.
Mind you, you have to be good at those, especially if you're in a tight space and you can't hit anything else, though sometimes, you have more energy and power and a little bit of room to play, whereas when you have to come in a very specific mark with a car and stop.
Or, recently, during a Nissan commercial, I had to parallel park really fast all in one movement in a tight spot. On camera, watching it back, it just looks like she goes, "whoop!
I did a reverse in that, too. I did other stuff in there that was what you think might be harder and that was the hardest day for me.
It was trying to not hit the other two cars and do one movement of a parallel parking. For me, it's the little things in the car. Renae : Yeah, I think a lot of the time, it's the little things that you underestimate.
I haven't done a lot of driving, but yeah, I would say sometimes just maintaining distance with a camera car, or just those little things like that.
Sometimes you're focusing so much on the big gags that you put a lot of time and effort into that and then you underestimate some of the smaller stuff.
Heidi : Sometimes, the smaller things are what you end up getting hurt on because your focus is not You're not being unfocused, but you're so focused when it's a big deal.
When it's a smaller thing, you're thinking, "I did this all day. I'll be fine. That's why I did a stair fall for the Boss Bitch challenge, because I didn't want to get hurt.
I think Renae and I both were thinking, "Okay, if we're going to do this, what's at stake? Heidi : The most memorable for me at this point would be the reshoots for Black Widow.
I went into the video village tent and talked to Scarlett and I said, "Hey, are you be doing more of these Black Widow movies?
I was jumping 16 or 17 feet off the platform and rolling and crashing, but yeah, it was the most memorable because we both knew, "Oh, this might be the last Black Widow stunt, and it might not.
We even had the behind-the-scenes camera and stuff, and video. We're hugging and crying and being girls.
I ran and jumped out of an exploding warehouse. Is it hard to walk away from an explosion looking cool when something is on fire behind you?
Heidi : Honestly, for me, I really don't love pyrotechnics unless I'm dealing with somebody I know really well, because it's a science.
It's not a perfect science. Some people are really, really good at it and some people are okay at it. There's a couple of special effects coordinators that I really love.
Dan Sudick is one of them. He does a lot of Marvel stuff with us. I know you've worked with him a bunch, Renae.
It's just like you feel very, very comfortable when he says, "You can stand here. You cannot stand there. I remember one of the first times realizing how great he was.
We were on, I want to say, the first Avengers , and I think it was the last day of shooting, and it was second unit. It wasn't even main unit. There were no actors there.
Basically, I think there were aliens in the air and they were stomping things down into New York. Known For. Captain America: Civil War Stunts.
Star Trek Stunts. The Avengers Stunts. Avengers: Endgame Stunts. Smith utility stunts - as Heidi Monymaker. Rachel Conway.
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Edit Did You Know? I enjoy it because I make sure I always enjoy what I am doing. If I get bored, I switch it up.
Sometimes I just play for an hour somewhere fun like a free running gym and I chase my dogs and try jujitsu moves on them. Eating healthy is also a passion for me because when I am eating right, I can jump higher and I feel better.
Once again, you have to find healthy foods you like or you will not stick to the program. I have a fitness program out now with Fierce Lotus called the Action Star Workout Program which consists of high intensity workouts based on my style of fight training mixed with yoga and strength body sculpting moves, as well as a nutrition guide and quick, tasty, healthy recipes in a recipe book.
You will also receive a meditation guide because being stressed is one of the number one reasons people reach for junk food.
Check out the nutrition guide in my program for full details, but here are two of my secrets:. Add low sugar green smoothies to your diet. They are full of fiber, nutrients and are very helpful with weight loss.
Drink one-two tablespoons of Apple Cider Vinegar in 8oz water every day or anytime you are craving sugar.
It helps with stress, digestion and is a sugar blocker.